We all know Hendrix’s chord playing was phenomenal. His lead playing wasn’t too shabby either. Here I have picked out two fun licks from his recordings. The first one is from “Stone Free”. The second one is from “Hey Joe”. Let’s dig in! Soundslice is available for members.
Mixing licks with chords? A lot of students ask me how to do this, so here’s a lesson on how you do it. The two licks in this video are available with Soundslice as well. See navigation on right.
Have you heard the tune “I Put A Spell On You”? Sure you have! It’s a great tune, and the chord progression is not your standard 12 bar blues. In this new Minor Blues Rhythm 2 lesson, you will learn the chords, chord progression and several variations on the rhythm guitar work. Soundslice as well […]
Roadrogue is working on the “6 licks from one idea” topic. In this video, I actually end up going over a lot of useful things, universal material you should all study. Come check it out.
The Lydian mode is the 4th mode of the major scale. That’s something some teachers spend too much time on. What’s more important and useful is knowing the formula of the mode. It’s identical to the major scale, except for one note. That is the 4th note. Lydian has a #4, which gives it that […]
Jimi used double-stops a lot. It’s a great “weapon” for making your chord playing sound interesting and varied. Here’s the lesson on this topic.
Here’s a trick question! Don’t worry, the explanation is here too… Which mode should you use over an A Minor chord?
Let’s check out some cool Hendrix style embellishments, similar to what he did in Little Wing. Soundslice is available for this. Hope you dig it!
This is a very cool invention. I’ve been using for a few days now, and I’m quite liking it. I must say that I think it may be very helpful for some people, especially beginners. In this review, I’m going over the main features that I thought are worth mentioning. There are even more features, […]
This is a short free video for those who are somewhat familiar with these two scales, but don’t know how to use them over Dominant chords. It’s really jazz language I’m talking about here, and I like to add some of that flavour to my blues. It’s fun and people’s heads turn a bit when […]